Nacho
Armentera
Explorer by nature, builder by choice.
Founder & Co-CEO
Wanna Supplies ®
After years in the industry, I saw the cracks, so I decided to build the fix, using everything I’d learned along the way.
Wanna Supplies ® was born out of necessity, a response to real, recurring gaps on set. Early in my career, I realized that many tools we needed simply didn’t exist, or weren’t made for our context.What started as personal fixes became something bigger: functional, field tested accessories designed from direct experience. With the help of 3D printing, I turned sketches into solutions, quick, adaptable, and grounded in the daily reality of film crews.Today, we creates practical tools that solve problems, respect the craft, and make the technical work just a little bit easier.
🏆 Achievements
Throughout the years, I’ve taken part in talks, exhibitions, and have been recognized with a few awards along the way.
These are some milestones that shaped my path.
Entrepreneurship awards
In 2023, my project Wanna Supplies® earned 4th place in the Innovation category at the Premios Emprendimiento Joven, organized by the Community of Madrid, a recognition of the work and vision behind the tools I create for cinematography industry.
South Summit 24'
After receiving the award, in 2024 I had the opportunity to present Wanna Supplies at South Summit, showcasing the project on one of Europe’s top stages for innovation and entrepreneurship celebrated in Madrid.
🎥 Works as DoP
I approach cinematography as a balance between intuition and structure using light, movement and framing to serve the story, not just decorate it.Whether it's a high end commercial or an independent short, I focus on building visual language that connects with the viewer, supports the narrative and feels alive.
Documentaries & shortfilms
Commercials
Videoclips
💡Works as Gaffer
As a gaffer, I understand light not only as a creative tool, but as a technical language.My work is grounded in precision, communication and on set agility collaborating closely with the DP to turn vision into reality, frame by frame.
Commercials
Shortfilms
Videoclips
🖼 Exhibitions & publications
Throughout my journey as a photographer, I’ve contributed to exhibitions and publications focused on analog photography, connecting with a community that values the craft and texture of film.
Exhibitions
Worst Seat Ever #WSE01
In 2020, I was invited to exhibit my project Into the gloom at the inaugural Worst Seat Ever event, alongside a projection from cinematographer Guille Vázquez and music by DJs Daar and Santy LeFunke
Sales de Plata #1st BDY
In 2017, Sales de Plata Lab invited me to exhibit a selection of photographs from my travels across the USA, a personal project capturing the road between Boston and Toronto, with a special focus on its passage through Niagara Falls.
Urban Peek
In 2016, I made my first collab with others photographers. I had the pleasure of show up a selection from my personal project Urban Peek, a photographic study focused on urban symmetry, spatial rhythm, and the quiet tension between architecture and environment.
Magazine publications
Optiko Journal Vol. 3
In 2023 Optiko Journal featured my work with Aerochrome film a rare, military grade originally developed for surveillance and vegetation analysis, now treasured by a handful of analog photography enthusiasts for its surreal color rendering.The series focused on natural and semi-urban landscapes, capturing familiar scenes through an unfamiliar spectrum of pinks, reds and electric purples.
Optiko Journal 2018
In 2018, we launched the first collaboration around a personal project focused on abandoned engineering immersed in nature, a visual exploration of how human-made structures age, and become part of the landscape.What started as a one-off photographic series turned into an ongoing investigation, blending documentary observation with poetic imagery. Since then, I’ve continued developing this body of work, visiting forgotten places where industry meets wilderness, and silence tells the story.
Digital magazines
Madrid sin gente 🔗
Madrid sin gente is a photographic series captured between January and March 2016 before the Covid 19. The project explores the streets of Madrid in their rarest state completely empty.By removing the human presence, the images highlight the city’s architecture, light, and urban rhythm, inviting the viewer to see familiar places in an unfamiliar silence.A quiet portrait of a usually vibrant capital.
La cámara con alas 🔗
In 2018, I was invited to collaborate with the blog La Cámara con Alas, taking their Horizon 202 panoramic camera with me on a trip to London. The goal was to explore the city through the unique lens of this curious analog machine, known for its sweeping perspective and subtle distortion.The result was a series of experimental frames that captured London from an uncommon angle, playful, stretched, and full of character.
🎓 Education
From still frames to moving stories.
Master on digital cinematography
In 2019, I completed my studies at the prestigious Escuela Internacional EFTI, graduating top of my class in the Master’s Degree in Cinematography.The program sharpened my visual language, deepened my technical understanding, and reinforced my love for storytelling through light and movement.
HND Creative Media Production
A few years earlier, I completed my studies at CEV Higher School in Madrid, where I received my first formal training in photography.
It was there that I laid the foundation for my visual approach, a journey that eventually led me to shift my focus toward cinema.
🥾 Uphill
Collecting summits is more than a hobby, it’s a quiet obsession.
Every weekend, I try to escape the noise and unlock new routes, new landscapes.
🤿 Underwater
The aquatic world is something else calm, vast, and completely alien.
When I travel, I try not only to explore the land… but what lies beneath it too.